‘War and Peas’ by Michael Foreman, one of the great British children’s illustrators. His watercolours are so lovely you could almost eat them, just as members of the target audience have been trying to do for decades.
People who are given whatever they want soon develop a sense of entitlement and rapidly lose their sense of proportion.
With a novel, there is no hurrying it. You’re constantly walking into the unknown.
The legacy of slavery comes from the sustained political, legal and economic effort to link permanently an entire group of people to poverty – and to mystify that systematic disenfranchisement by making up something called race, which could serve as a distraction.
I hate clever-cleverness, but I love good honest cleverness.
In all likelihood, the only thing extraordinary about Tiger Woods was his golf: he had extraordinary coordination and extraordinary discipline – on the course, at any rate. That discipline was the source of his power.
‘Sesame Street’ was a pioneering educational T.V. show, intended to help underprivileged children. But even those of us middle-class kids spoilt for pedagogical choice couldn’t get enough of it.
Top-up fees mean that universities are increasingly under pressure to confer degrees upon students, who perceive the degree as a commodity they’ve purchased. Failure doesn’t enter into anyone’s calculations.
The problem with themes is that writers don’t realise they are themes until someone points them out.
If history starts as a guest list, it has a tendency to end like the memory of a drunken party: misheard, blurred, fragmentary.