But the question is a matter of the survival and the teaching. That’s what our work comes down to. No matter where we key into it, it’s the same work, just different pieces of ourselves doing it.
A pen is different from the pad, the key, moving your fingers across a screen. I like both. I like to work on sketchbooks, big old white sketch paper. I like how that feels, and I like to put different media on it. Then there’s the phone, smartphone, iPad: It’s the new page, and it’s not the same page anymore.
Who knows, the mind has the key to all things besides.
The first line is the DNA of the poem; the rest of the poem is constructed out of that first line. A lot of it has to do with tone because tone is the key signature for the poem. The basis of trust for a reader used to be meter and end-rhyme.
This is the key to time management – to see the value of every moment.
My mind works like Google for images. You put in a key word; it brings up pictures.
Many a treasure besides Ali Baba’s is unlocked with a verbal key.
To find out what one is fitted to do, and to secure an opportunity to do it, is the key to happiness.