Dying, we tell ourselves, is like going to sleep. This figure of speech occurs very commonly in everyday thought and language, as well as in the literature of many cultures and many ages. It was apparently quite common even in the time of the ancient Greeks.
My wife is a painter, musician, and fiber artist. We married in 1993, and as she worked, I found that my reading about art was helping me understand what she was doing, just as seeing her work gave me a language with which to speak of art.
Though my poems are about evenly split between traditionally formal work that uses rhyme and meter and classical structure, and work that is freer, I feel that the music of language remains at the core of it all. Sound, rhythm, repetition, compression – these elements of my poetry are also elements of my prose.
In the year 1915 a series of trivial incidents led some Chinese students in Cornell University to take up the question of reforming the Chinese language.
And I’m working at trying to find a kind of language where I won’t be so easily modulated by expectation.
To him who in the love of Nature holds Communion with her visible forms, she speaks A various language.
The language of all the interpretations, the translations, of the Judaic Bible and the Christian Bible, is musical, just wonderful. I read the Bible to myself; I’ll take any translation, any edition, and read it aloud, just to hear the language, hear the rhythm, and remind myself how beautiful English is.
Poetry offers works of art that are beautiful, like paintings, which are my second favorite work of the art, but there are also works of art that embody emotion and that are kind of school for feeling. They teach how to feel, and they do this by the means of their beauty of language.
Philosophy is a battle against the bewitchment of our intelligence by means of language.
In general, the philological movement opened up countless sources relevant to linguistic issues, treating them in quite a different spirit from traditional grammar; for instance, the study of inscriptions and their language. But not yet in the spirit of linguistics.