If you pay a child a dollar to read a book, as some schools have tried, you not only create an expectation that reading makes you money, you also run the risk of depriving the child for ever of the value of it. Markets are not innocent.
I love chapbooks. They’re in some ways the ideal form in which to publish and read poems. You can read 19 poems in a way you can’t sit down and read 60 to 70 pages of poems.
Many peoples’ tombstones should read ‘Died at 30, burried at 60.’
Our high respect for a well read person is praise enough for literature.
The language of all the interpretations, the translations, of the Judaic Bible and the Christian Bible, is musical, just wonderful. I read the Bible to myself; I’ll take any translation, any edition, and read it aloud, just to hear the language, hear the rhythm, and remind myself how beautiful English is.
The difference is slight, to the influence of an author, whether he is read by five hundred readers, or by five hundred thousand; if he can select the five hundred, he reaches the five hundred thousand.
I didn’t learn how to read until I was at the end of fifth grade and 11 years old and held back.
Romances I ne’er read like those I have seen.
Sometimes I feel as if I am read before I write. When I write a poem about my mother, Palestinians think my mother is a symbol for Palestine. But I write as a poet, and my mother is my mother. She’s not a symbol.
If I were to die thinking that I’d written three poems that people might read after me, I would feel that I hadn’t lived in vain. Great poets might expect the whole body of their work, but most of us – well, I would settle for a handful.