One of the ridiculous aspects of being a poet is the huge gulf between how seriously we take ourselves and how generally we are ignored by everybody else.
There is only one step from the sublime to the ridiculous.
We know no spectacle so ridiculous as the British public in one of its periodical fits of morality.
What is sacred among one people may be ridiculous in another; and what is despised or rejected by one cultural group, may in a different environment become the cornerstone for a great edifice of strange grandeur and beauty.
Jeff Sachs has the Millennium Villages. He spends $2.5 million in one village. It’s an absolutely ridiculous model, because I’ve said that if you gave me $2.5 million, I can train 100 grandmothers, solar electrify 100 villages – 10,000 houses – and save you 100,000 litres of kerosene.
Generally speaking, the errors in religion are dangerous; those in philosophy only ridiculous.
A lot of people don’t understand what feminism is. They think it is about advance and success for women, but it’s not that at all. It is about power for the female left. And they have this, I think, ridiculous idea that American women are oppressed by the patriarchy and we need laws and government to solve our problems for us.
I never give in to the temptation to be difficult just for the sake of being difficult. That would be too ridiculous.
Affectation is certain deformity; by forming themselves on fantastic models, the young begin with being ridiculous, and often end in being vicious.
All great deeds and all great thoughts have a ridiculous beginning. Great works are often born on a street corner or in a restaurant’s revolving door.