The first day at the power plant I found myself photographing some steam vents on the roof of the structure. And I remember consciously thinking that they were just like trees but they were metal.
My strong suits, coming from poetry, will naturally be description, which I love doing. It comes very easily, and possibly structure, up to a point.
Every age develops its own peculiar forms of pathology, which express in exaggerated form its underlying character structure.
It is that of increasing knowledge of empirical fact, intimately combined with changing interpretations of this body of fact – hence changing general statements about it – and, not least, a changing a structure of the theoretical system.
All through childhood, I wrote verses and mysteries. There is, for me, one connection: structure. My poetry is metrical, rhyming.
Definition, rationality, and structure are ways of seeing, but they become prisons when they blank out other ways of seeing.
There is a European Central Bank, of course, established and it has the structure similar to the Federal Reserve system, not precisely the same but similar.
Don’t try to tear down other people’s religion about their ears, Build up your own perfect structure of truth, and invite your listeners to enter in and enjoy it’s glories.
Jazz and poetry both involve a structure that may be familiar and to some extent predictable. And then, you try to create as much surprise and spontaneity and feeling and variation while respecting that structure.
We assume, to begin with, that the individual is at least as complex in his internal structure as the language is which he speaks – otherwise, how could he speak a language which is complex?