A convention was drawn up on June 17, 1925, in which the principle of supervision, as opposed to that of simple propaganda, was recognized, thanks to the efforts of the labour members, of whom I was one.
In a poem, the words happen; they just come. I let them. Otherwise, I wouldn’t write. To interfere with what is happening is to distort the poem. Just a very small degree of intelligence and supervision is necessary. Very tactful. Any revision later that violates the text as it came, that begins rewriting the words, is fake.