There is always a certain leap of faith that editors have made with their nonfiction writers. If the trust is broken, things can get very embarrassing for the writers and the publisher.
We Negro writers, just by being black, have been on the blacklist all our lives. Censorship for us begins at the color line.
The prophets and the writers of the Psalms were clear that God was continuing to work in the universe and in all history. They declared that He had created the universe.
There are writers in Germany who drink the Absolute like water; and there are books in which even the dogs make references to the Infinite.
Artists and writers have to deal with the element that makes the real real and the dream real while you are dreaming it. That’s where stories and poems get their power.
I think it’s a question which particularly arises over women writers: whether it’s better to have a happy life or a good supply of tragic plots.
It was only after five years in the army, when I was having to do a very boring job in a very boring place, that I thought: ‘Why not try writing a novel?’ partly out of youthful arrogance and partly because there had been a long line of writers in my mother’s family.
Our society expects that everyone should learn to write, even though very few become professional writers. Similarly, I think that everyone should learn how to program, even though very few will become professional programmers.
As far as I can see, the best writers in the last two hundred years have been Whitman, Rilke, Proust, Kafka. Their best works: ‘Leaves of Grass – 1855;’ ‘Duino Elegies;’ ‘The Captive & The Fugitive;’ ‘The Castle.’
Writers must… take care of the sensibility that houses the possibility of poems.